Post by roger on Mar 2, 2007 22:03:33 GMT
This article was brought to my attention by forum member "socalboy". As he said to me, it doesn't concern Hayley directly, but it may be of interest with regard to her breaking into the US market.
Before I post the article, I will add that I was involved in a conversation about three years ago with Hayley, her father, her manager and two other HWI members (one of whom was from the States) about this very topic. It was quickly agreed by everyone that the US market is one of the hardest in the world to break into. This article highlights some of the difficulties and suggests possible way to combat them.
From USA TODAY
With thanks to socalboy.
Roger
Before I post the article, I will add that I was involved in a conversation about three years ago with Hayley, her father, her manager and two other HWI members (one of whom was from the States) about this very topic. It was quickly agreed by everyone that the US market is one of the hardest in the world to break into. This article highlights some of the difficulties and suggests possible way to combat them.
From USA TODAY
Exclusives aim to pull music fans into stores
By Brian Mansfield, Special for USA TODAY
The world of music distribution faces turbulent times. Tower Records is gone. Hard-copy music sales continue to drop year to year, and double-digit hikes in digital sales haven't offset the losses. Meanwhile, brick-and-mortar retailers search for new ways to lure music-buying customers, particularly adults, who still buy CDs but no longer have the time or the inclination to go to music stores — assuming they can find one.
As national music chains dwindle, big-box retailers such as Target and Wal-Mart are taking cues from Starbucks and iTunes by adding more exclusive music to their shelves. Target's new Spotlight Music Series offers 15 discs, including new adult-contemporary music, genre compilations and mixes handpicked by Avril Lavigne, Jason Mraz, Dave Matthews and others.
"We know our guests don't have a lot of time to browse for their favorite music," says Target's Paula Thornton-Greear. "So the Spotlight Music Series makes it easy to discover, or rediscover, their favorite music."
"People are buying music differently, especially adults," says Jim Brandmeier of 180 Music, which developed the series with Target. "They're likely to buy music while looking for something else."
Retailers typically take a couple of approaches for exclusives. First, they work with labels or individual artists to create special packages. That could be as simple as Josh Groban's Valentine's Day compilation, With You, for Hallmark, which included two new songs. Or it could be as massive as Wal-Mart's exclusive deals with Garth Brooks (a multiyear pact) and The Eagles: The group's upcoming Long Road Out of Eden album will be available only at the chain for the first year.
Second, retailers extract exclusive content from labels. Buyers of John Mellencamp's Freedom's Road, for instance, had several bonus options, including a four-song CD at Best Buy, a DVD at Wal-Mart, downloads at Walmart.com and Circuit City, and a video and two rough mixes at iTunes. The permutations amounted to eight tracks and five videos. Jerry Lee Lewis' Last Man Standing album gave digital exclusives to Wal-Mart, Best Buy, Target, CMT.com, iTunes, Rhapsody, Urge and Napster.
Such extras leave smaller stores in the cold.
"The profit margins of music retail aren't very good to begin with," says Clark Benson, CEO for The Almighty Institute of Music Retail, a California-based market research firm. "The big-box retailers don't need the margins from CDs. The exclusives are a draw, then customers buy appliances or electronics."
"I find the Wal-Mart/Garth Brooks deal to be less objectionable than having an extra track to a Bruce Springsteen album," says Mike Dreese, co-owner of the 27-store Newbury Comics chain in New England. Brooks "is a clean deal. If you want that, go to Wal-Mart. With the other, we're in the position of selling an inferior product. It has a corrosive effect."
Billboard senior correspondent Ed Christman says Target's new line is a variation of the licensing lure.
"What's unusual, as it was billed to me, is that it's much more marketing-heavy," he says. "It will be featured in circulars and possibly a television spot. Usually, the retailer doesn't spend so much money to promote these types of things."
In addition to generating incremental sales, Target's line appeals to its demographic while helping to distinguish it as a source for music in a chaotic, changing market. Starbucks has successfully implemented a similar approach with its combination of new music and licensed compilations. The coffee chain has turned its 12,000 stores and 44 million weekly customers into a powerful purchasing force, particularly for new artists like Antigone Rising and Sonya Kitchell.
"Music has been part of the coffee experience for quite some time," says Starbucks Entertainment president Ken Lombard. "We definitely know that Starbucks customers are totally hungry for the discovery of new artists. We knew that we had a unique opportunity and the perfect format for artists and labels to break new artists."
Starbucks recently released the debut CD by rock band Low Stars, featuring former Tonic guitarist Jeff Russo. Upcoming exclusives include a covers album with tracks by R.E.M. and Robert Plant and Off the Clock, a compilation by Starbucks baristas and shift supervisors.
As music's commercial paradigms shift, other stores find ways to create packages geared toward their clientele. Cracker Barrel Old Country Store now offers compilations from country artists, plus vintage Grand Ole Opry shows.
"It's private branding," says Christman. "How many companies make their own cereal for a supermarket chain? How many companies make their own detergents for a discount retailer? That's a set retail strategy."
Labels see the big-box trend as a potential bottom-line booster.
"You have to ask yourself who can grow the pie, not just shift the shares," says Jim Saliby, SonyBMG Nashville's vice president of sales.
By Brian Mansfield, Special for USA TODAY
The world of music distribution faces turbulent times. Tower Records is gone. Hard-copy music sales continue to drop year to year, and double-digit hikes in digital sales haven't offset the losses. Meanwhile, brick-and-mortar retailers search for new ways to lure music-buying customers, particularly adults, who still buy CDs but no longer have the time or the inclination to go to music stores — assuming they can find one.
As national music chains dwindle, big-box retailers such as Target and Wal-Mart are taking cues from Starbucks and iTunes by adding more exclusive music to their shelves. Target's new Spotlight Music Series offers 15 discs, including new adult-contemporary music, genre compilations and mixes handpicked by Avril Lavigne, Jason Mraz, Dave Matthews and others.
"We know our guests don't have a lot of time to browse for their favorite music," says Target's Paula Thornton-Greear. "So the Spotlight Music Series makes it easy to discover, or rediscover, their favorite music."
"People are buying music differently, especially adults," says Jim Brandmeier of 180 Music, which developed the series with Target. "They're likely to buy music while looking for something else."
Retailers typically take a couple of approaches for exclusives. First, they work with labels or individual artists to create special packages. That could be as simple as Josh Groban's Valentine's Day compilation, With You, for Hallmark, which included two new songs. Or it could be as massive as Wal-Mart's exclusive deals with Garth Brooks (a multiyear pact) and The Eagles: The group's upcoming Long Road Out of Eden album will be available only at the chain for the first year.
Second, retailers extract exclusive content from labels. Buyers of John Mellencamp's Freedom's Road, for instance, had several bonus options, including a four-song CD at Best Buy, a DVD at Wal-Mart, downloads at Walmart.com and Circuit City, and a video and two rough mixes at iTunes. The permutations amounted to eight tracks and five videos. Jerry Lee Lewis' Last Man Standing album gave digital exclusives to Wal-Mart, Best Buy, Target, CMT.com, iTunes, Rhapsody, Urge and Napster.
Such extras leave smaller stores in the cold.
"The profit margins of music retail aren't very good to begin with," says Clark Benson, CEO for The Almighty Institute of Music Retail, a California-based market research firm. "The big-box retailers don't need the margins from CDs. The exclusives are a draw, then customers buy appliances or electronics."
"I find the Wal-Mart/Garth Brooks deal to be less objectionable than having an extra track to a Bruce Springsteen album," says Mike Dreese, co-owner of the 27-store Newbury Comics chain in New England. Brooks "is a clean deal. If you want that, go to Wal-Mart. With the other, we're in the position of selling an inferior product. It has a corrosive effect."
Billboard senior correspondent Ed Christman says Target's new line is a variation of the licensing lure.
"What's unusual, as it was billed to me, is that it's much more marketing-heavy," he says. "It will be featured in circulars and possibly a television spot. Usually, the retailer doesn't spend so much money to promote these types of things."
In addition to generating incremental sales, Target's line appeals to its demographic while helping to distinguish it as a source for music in a chaotic, changing market. Starbucks has successfully implemented a similar approach with its combination of new music and licensed compilations. The coffee chain has turned its 12,000 stores and 44 million weekly customers into a powerful purchasing force, particularly for new artists like Antigone Rising and Sonya Kitchell.
"Music has been part of the coffee experience for quite some time," says Starbucks Entertainment president Ken Lombard. "We definitely know that Starbucks customers are totally hungry for the discovery of new artists. We knew that we had a unique opportunity and the perfect format for artists and labels to break new artists."
Starbucks recently released the debut CD by rock band Low Stars, featuring former Tonic guitarist Jeff Russo. Upcoming exclusives include a covers album with tracks by R.E.M. and Robert Plant and Off the Clock, a compilation by Starbucks baristas and shift supervisors.
As music's commercial paradigms shift, other stores find ways to create packages geared toward their clientele. Cracker Barrel Old Country Store now offers compilations from country artists, plus vintage Grand Ole Opry shows.
"It's private branding," says Christman. "How many companies make their own cereal for a supermarket chain? How many companies make their own detergents for a discount retailer? That's a set retail strategy."
Labels see the big-box trend as a potential bottom-line booster.
"You have to ask yourself who can grow the pie, not just shift the shares," says Jim Saliby, SonyBMG Nashville's vice president of sales.
With thanks to socalboy.
Roger
