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Post by postscript on Jun 26, 2012 11:33:11 GMT
Juliette.
You have delivered an absolutely magnificent report. Where on earth have you been hiding all this time and now we are going to lose you (from having the chance to report again) for at least a year? Personally I rate your Dublin report as one of the best reports ever presented in all the years with which I have been involved with HWI and that accolade makes NO EXCUSE for the fact English is your second language. This was absolutely magnificent. You go to NZ with a full quiver of abilities! I've a feeling you'll prove so good they'll invite you to stay on, to our chagrin.
Thank you for taking the time, despite your horrendous work load in preparing to leave home for a year, to send it to us. Those who haven't yet posted, guys, don't be put off. I think I started the multiple part reporting and Grant has subsequently tended to make it his own. My report from Dublin this time was very cursory. We peak and fall according to circumstance but all opinions expressed help to give Hayley a balanced view and we know she peeks in or her family do for her.
So, for that reason, let me comment on Juliette's report. Eleven rows back I certainly was not aware of any nervousness or unsureness in Hayley's demeanour. Juliette really was very close to the stage and saw interactions between artistes that were not discernable to me. However, what I had reported as being a microphone not up to her usual quality may have been that nervousness showing fractionally in her voice and I agree with Juliette that the balance between vocal and orchestral sound did not always match the balance we are used to and I recall seeing that 'little gesture' indicating she wanted more volume.
When I go into detail it is because I've had a laptop with me (in the hotel afterwards) or was able to make copious notes which I could later read. How on earth you did what you did, Juliette, had your laptop with you (in the hotel) or took copious notes? Or perhaps being so deliciously young and mentally very agile (I'm acknowledging my age!). You have done us proud and your report is magnificent.
Have a safe and great trip to NZ--remember, when you've got yourself settled, we are only a keyboard away. Please share your views of NZ.
Much love and best wishes.
Peter S.
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Post by cimarron22 on Jun 26, 2012 16:07:36 GMT
Juliette, that was the most complete, comprehensive, and interesting concert report that I have ever read. I certainly hope your future has much more writing like that and you will gracefully share again with us. Hope you thouroughly enjoy New Zealand. Don't forget to send your parents handwritten letters besides email, they will treasure them.
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Post by martindn on Jun 26, 2012 18:23:07 GMT
Thanks for the superb report Juliette. Despite my horribly slow internet link, I had to read it.
Ive had the same problem with front row seats. I now have to decide, when booking for a show, whether it will be a front row one, where I just listen, or one further back to allow photography. For the UK Paradiso tour I did one of each. Maybe that how you need to organise it, it is rare to be able to get a good angle from the front row. And as you say, you are likely to be highly visible to the "camera police" there.
Front row of the circle (as favoured by Karsten and others) is a good place for photography.
Martin D
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Post by grant on Jun 26, 2012 18:33:28 GMT
Marvelous report Juliette!  you have a great memory for detail - you should be very proud - I would be if it were mine :wink: By the time I finished reading it felt as though I was sitting beside you i.postimg.cc/9fYxy370/smilie-big-grin.gifI'm very pleased now that I decided to wait until I had time to read it in comfort, I would not have been able to do it justice otherwise. Lots of Love Grant xxx |
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Post by dutchjoyce on Jun 26, 2012 20:19:47 GMT
Thank you Juliette,
A Pleasure to read...SUPERB !!!
All the best, good luck in New Zealand !!
Joyce.
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Post by Paddy on Jun 27, 2012 1:02:16 GMT
Eleven rows back I certainly was not aware of any nervousness or unsureness in Hayley's demeanour ....... However, what I had reported as being a microphone not up to her usual quality may have been that nervousness showing fractionally in her voice ...... Must be the (male  lack of empathy in me, Peter, but I share your perspective. Hayley did not appear to me at all "stressed" or any more nervous than usual at the beginning of the concert. On the contrary, she seemed poised and in full command, something that highly impressed me throughout the four Paradiso Tour concerts I attended. Despite the daunting challenge of singing with an orchestra, Hayley seemed to me quite relaxed and natural, while still maintaining her usual intense concentration, particularly during her more challenging songs. While Hayley seemed 'in high gear' throughout the concert, often she appeared really to enjoy herself, performing for the audience she had so fully captivated. Paddy |
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Joe
Administrator
Supporting Hayley since 2003!
Posts: 6,715 
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Post by Joe on Jun 27, 2012 1:08:05 GMT
Hello Juliette  Thanks for the wonderful report! It is very detailed and lovely to read. Sincere best wishes in your studies in New Zealand  ~ Joe |
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Post by Paddy on Jun 27, 2012 1:10:31 GMT
I agree that the balance between vocal and orchestral sound did not always match the balance we are used to and I recall seeing that 'little gesture' indicating she wanted more volume. Seemed fine to me (from directly in front of Hayley), except for the one song, where Hayley asked for more volume. Paddy |
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Post by Libby on Jun 27, 2012 5:27:18 GMT
Maybe she was just emotional for A Thousand Winds, since it's kind of a sad song. Maybe she was thinking of the earthquake and/or tsunami victims, although it's been over a year. I say the tsunami, because it's a Japanese song, and she hasn't been back to Japan for a while now. But Paige said she seemed nervous in Boston, too. Hayley, don't be so nervous! You're an amazing singer, and you have no reason to be nervous!  |
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Post by tiger09 on Jun 27, 2012 11:19:50 GMT
Hi Juliette, Thank you so much. I loved your review of the concert it brought me back to that wonderful night and how much I enjoyed it. You really captured the essence of that special night. It was one I will never forget and if my memories fade alI have to do is read your words again. I really enjoyed meeting you too. Best of luck with your studies in NZ what an exciting adventure. But first you have to pack!!  Best wishes, Natasha |
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Post by postscript on Jun 27, 2012 13:46:22 GMT
Eleven rows back I certainly was not aware of any nervousness or unsureness in Hayley's demeanour ....... However, what I had reported as being a microphone not up to her usual quality may have been that nervousness showing fractionally in her voice ...... Must be the (male lack of empathy in me, Peter, but I share your perspective. Hayley did not appear to me at all "stressed" or any more nervous than usual at the beginning of the concert. On the contrary, she seemed poised and in full command, something that highly impressed me throughout the four Paradiso Tour concerts I attended. Despite the daunting challenge of singing with an orchestra, Hayley seemed to me quite relaxed and natural, while still maintaining her usual intense concentration, particularly during her more challenging songs. While Hayley seemed 'in high gear' throughout the concert, often she appeared really to enjoy herself, performing for the audience she had so fully captivated. Paddy Hi Paddy. That, in a beautifully succinct nutshell says it all! While it would be Hayley and I did very much enjoy concerts with Raven I am not sure she should go back down from an orchestral concert. They are expensive and that would confine her to large venues and fewer concerts and she does like the intimacy of small theatres but having orchestras on regularly has confirmed her status as a serious high grade artiste. Not of course that she wouldn't be just being her and a concert piano--but Hayley, do please stick with the crystal water jug and glass and don't revert to the plastic bottle or vending machine cup!.  Peter S. |
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Post by Paddy on Jun 28, 2012 1:16:03 GMT
Hi Paddy. That, in a beautifully succinct nutshell says it all! While it would be Hayley and I did very much enjoy concerts with Raven I am not sure she should go back down from an orchestral concert. They are expensive and that would confine her to large venues and fewer concerts and she does like the intimacy of small theatres but having orchestras on regularly has confirmed her status as a serious high grade artiste. Not of course that she wouldn't be just being her and a concert piano--but Hayley, do please stick with the crystal water jug and glass and don't revert to the plastic bottle or vending machine cup!. Peter S. Reminds me a little of the 'can't sing without a microphone' kind of high-brow artistic snobbery! But, of course, I see what you mean. Hayley really excels with a good orchestra. I was really impressed with how the RTÉ Concert Orchestra seemed so 'tuned in' to Hayley's singing throughout the concert (rather than doing their own thing). Not that Hayley, with just Tim on the piano, was any less impressive. No surprise then that there were three standing ovations. |
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Post by Paddy on Jun 28, 2012 1:27:01 GMT
Maybe she was just emotional for A Thousand Winds, since it's kind of a sad song. Maybe she was thinking of the earthquake and/or tsunami victims, although it's been over a year. I say the tsunami, because it's a Japanese song, and she hasn't been back to Japan for a while now. .... or maybe not. A Thousand Winds .... it's a Japanese song .... Is it? Original lyrics - by Elizabeth Frye in 1932; Music composition - unknown? |
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Post by graemek on Jun 28, 2012 1:58:08 GMT
Thanks from me too Juliette for your great concert report. Sincerely hope you have translated it into French for your website. Many thanks too for all the other contributions by HWI members !!! Graeme |
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Post by Paddy on Jun 28, 2012 2:01:33 GMT
 Hayley Smiles |
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lack of empathy in me, Peter, but I share your perspective.
